"Kill The Noise has released the official video for his first single “Kill It 4 The Kids” (feat. AWOLNATION & R. City) from his debut album OCCULT CLASSIC, out now via OWSLA. The video premiered on Funny or Die and features “Tronald Dump” falling victim to his own design of corporate greed, control and mass consumerism."

"Kill The Noise serves up a stomach-turning tale of conspicuous consumption and a society zombified by a poisonous plutocrat." - FUNNY OR DIE

"Looks like the offspring of Banksy and 'Wallace and Gromit.'" - FACT

"Kill It 4 The Kids" is a thrilling blend of forward-thinking sound design mixed with signature Kill The Noise styled distortion and chaos. Layered with the frenzied, screaming vocals of AWOLNATION's Aaron Bruno, "Kill It 4 The Kids" properly introduces Kill The Noise's debut album."

"[The] next-level KTN sound a lot of us are anticipating.” - UKF

“FUK UR MGMT” is a high-energy hybrid house track with a vicious bass line and anti-corporate vocal chops. Kill The Noise displays his versatile skills as a producer in “FUK UR MGMT” by successfully tackling current trends without sacrificing his identity.

 

"[Kill The Noise] has spawned songs that are staples of DJ sets the world over." - SPIN

“Mine” is an emotional reflection of a once-blossoming love. The song is primarily bass-driven, while filtered strings and Bryn Christopher ‘s smooth vocals provide strong melodic support.

 

"His uniquely intense take on electronic dance music combined with his ability to blend different genres, styles and tempo's has kept him rocking around the globe from packed nightclubs to the worlds biggest festivals." - MIXMAG

“I Do Coke” is a mid tempo thriller from Kill The Noise and Feed Me. A pulsating bassline drives the track as ghostly reverberations and sinister sound effects glide freely. The song’s eerie atmosphere continues to build as repetitive vocals are introduced, which draw inspiration from one of the early-90’s most infamous anti-drug commercials.

"Occult Classic seems to aim higher, thematically, than much of dance music. The album playfully and provocatively critiques the state of the music industry" - THUMP

“Without A Trace” is an epic slow-jam defined by melodic plucks and colorful synth stabs. After a beautiful minute-long piano intro, Kill The Noise introduces the soothing vocals of Stalking Gia, and slowly leads the track into a massive and memorable drop.

“Louder” is an energetic electro-house track from Kill The Noise and Tommy Trash. The track was originally released as a single is 2014, and served as the anthem for the duo’s North American tour. Rock City’s vocals swiftly build the track’s ominous intro into a hard-hitting drop full of heavy drums and signature growls.

"A followup to the tongue-in-cheek take on the big room house sound that the duo introduced to the world in 2013 with Meowski 666, this time sampling dolphins and monkeys instead of cats and dogs."

"Epic" - HYPETRAK

In “Lose Ya Love,” disco-esque sample chops meet high-energy rock-n-roll vibes. Long-time fans will appreciate that Kill The Noise employs elements reminiscent to his early work, while re-vitalizing his classic sound in a completely new way.

“Spitfire Riddim” is the result of collaborative efforts between Kill The Noise and Madsonik. The song comes as a follow-up to the pair’s 2014 hit collaboration “Shell Shocked” that included vocals from rap giants Juicy J, Wiz Khalifa, & Ty Dolla $ign. Featuring up-and-coming vocalist twoton, “Spitfire Riddim” is a heavy-hitting dubstep jam with heavy reggae influences sure to please old-school dub fans and those new to the scene alike.

"Kill the Noise continues to succeed at his attempts to bury all other soundbwoys" - LESS THAN 3

Kill The Noise wraps up his debut album with “All In My Head,” an ode to the inner struggles and mental torment that many artists face. Striking percussion meets jaw-dropping synths in this one-of-a-kind finale. The track slowly fades into silence, leaving the listener stunned and satisfied.

"Kill the Noise stepped well into a new frame for OCCULT CLASSIC while adequately showing how the bass genre can still incorporate new styles into the production." - THIS SONG IS SICK